Although I have a ridiculous amount of respect for the one and only Masta Ace, I’m ashamed to admit that I don’t know his material in the way that I probably ought to. Sure I’ve bought/downloaded the back catalogue and enjoyed it immensely, but I’d be lying if I said that I knew his discography inside out. As such, I decided to giveDisposable Arts a little spin out a couple of weeks back, and although I can’t say that I’m besotted with it in its entirety there are of course moments of both lyrical wizardry and satisfyingly bangin’ production on show that make it essential for your digital archives (the out of print CD will already set you back a pretty penny). With the sun blazing through my window it was ‘Enuff’ that made a serious impression on me, sailing through the necessary qualification for the beat deconstruction treatment.
A bouncy, upbeat and summer-tinged jam, the track is produced by Rodney Hunter, a name that had completely passed me by until a little research in preparation for this post. Originally holding an affiliation with Peter Kruder of Kruder & Dorfmeister fame, the man has a production history that is varied to say the least which makes the no frills aesthetic of this track somewhat surprising: it’s hard to imagine that this was accomplished by somebody who only dabbles in straight up hip hop production. Given the cleanliness of the bass line and Hunter’s ability with the instrument I’m assuming that the rumbling bass frequencies that underpin the main groove were also played by the man himself. Good work fella!
Sample fodder comes in the shape of Love Unlimited’s ‘Share A Little Love In Your Heart’, a pleasing yet overly lavish piece of ’70s Barry White-honed soul that at times is breathtakingly beautiful and at others cringe-worthingly corny, lifted from their album of 1974 entitled In Heat. So far looked over for the reissue treatment, I’m disappointed that someone hasn’t made the effort to put this out as I would hazard a guess that there are other delights of a similar vibe to indulge in for fans of the Walrus of Love’s meticulously executed and dramatic sound. Check the opening section of the song for the keys that form the backbone of the Masta Ace cut: you can’t miss ‘em.
Ultimately I would liked to have seen a little more of this Rodney Hunter figure within the hip hop realm, as I really do feel that this beat encapsulates that turn of the millennium production aesthetic as well as more well-established producers of the era. Still, I’m pleased that he dropped this little gem on us and so should you: if it’s sunny where you are (it certainly isn’t anymore over here), wind down the windows in the ride and enjoy. The summer’s on its way, isn’t it?!